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Statement - In Plain Sight/Site
For Love and Freedom
2021
dark brown stoneware, engobe
19.5"h x 9"w x 9"d

For Love and Freedom is a bust of my grandfather in the style European aristocrats favored of themselves. He is shown in business attire taken from a photograph of him in the 1950's. He met his future bride, Belva, in NYC in the early 1900's. She was Canadian with indigenous and Anglo ancestry. He was American of mixed race, a very light skinned Black man. They would not have been able to marry in the US because of the anti-miscegenation laws. In 1900, Booker T. Washington summed up the practice:


“It is a fact that if a person is known to have one percent of African blood in his veins, he ceases to be a white man. The ninety-nine percent Caucasian blood does not weigh by the side of the one percent African blood. The white blood counts for nothing. The person is Negro every time.”


Instead, my grandfather was sent by his employer to work in France, so he sent for his fiancé, who sailed to London, where they were married on May 17th, 1910. They settled in France and had five children. They did not return to the US until WWII, when the family had to flee. This was his chosen exile & where he created a new narrative of belonging.

 

 

 

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All images copyright Jocelyn Braxton Armstrong

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